<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Kate Richards &#187; interactive</title>
	<atom:link href="http://katerichards.net/tag/interactive/feed/" rel="self" type="application/rss+xml" />
	<link>http://katerichards.net</link>
	<description>is a multi-media artist and producer</description>
	<lastBuildDate>Thu, 25 Feb 2010 21:06:22 +0000</lastBuildDate>
	<generator>http://wordpress.org/?v=2.8.4</generator>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
			<item>
		<title>Life After Wartime</title>
		<link>http://katerichards.net/art/life-after-wartime/</link>
		<comments>http://katerichards.net/art/life-after-wartime/#comments</comments>
		<pubDate>Sat, 22 Dec 2007 08:44:04 +0000</pubDate>
		<dc:creator>kate</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[interactive]]></category>

		<guid isPermaLink="false">http://katerichards.net/?p=8</guid>
		<description><![CDATA[Life After Wartime is a suite of multimedia artworks by Kate Richards and Ross Gibson. Based on 3000 archival scene-of-crime images from Sydney and thousands of evocative texts by Gibson, each iteration within the suite uses various design and interaction techniques to engage its audience.The suite comprises: Crime Scene &#8211; 1999-2000 &#8211; Justice &#38; Police [...]]]></description>
			<content:encoded><![CDATA[<p>Life After Wartime is a suite of multimedia artworks by Kate Richards and Ross Gibson. Based on 3000 archival scene-of-crime images from Sydney and thousands of evocative texts by Gibson, each iteration within the suite uses various design and interaction techniques to engage its audience.The suite comprises: Crime Scene &#8211; 1999-2000 &#8211; Justice &amp; Police Museum Sydney and touring; Darkness Loiters &#8211; 2000 &#8211; an interactive story engine; Life After Wartime CD-ROM &#8211; 2003 &#8211; exhibited nationally and internationally, for sale through the artists, funded by the Australian Film Commission. Life After Wartime live with The Necks  &#8211; Adelaide Fringe Festival 2001 and Sydney Opera House 2003 &#8211;  a live improvised event with world renowned jazz trio The Necks; Street XRays &#8211; 2005 &#8211; Gibson&#8217;s re-photography installation at ACMI. Bystander &#8211; 2007 &#8211; a 5 channel interactive and immersive video installation at The Performance Space@CarriageWorks Sydney 2007. For more information on the projects <a href="http://www.lifeafterwartime.com">www.lifeafterwartime.com</a> <a href="http://katerichards.net/wp-content/uploads/2008/02/cjc-2005-1708.pdf" title="Useful background article">DOWNLOADarticle.pdf</a></p>
]]></content:encoded>
			<wfw:commentRss>http://katerichards.net/art/life-after-wartime/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Bystander</title>
		<link>http://katerichards.net/art/bystander/</link>
		<comments>http://katerichards.net/art/bystander/#comments</comments>
		<pubDate>Sat, 22 Dec 2007 08:42:23 +0000</pubDate>
		<dc:creator>kate</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[immersive]]></category>
		<category><![CDATA[interactive]]></category>

		<guid isPermaLink="false">http://katerichards.net/?p=7</guid>
		<description><![CDATA[Part of the Life After Wartime suite, Bystander is a 5-channel interactive software system. The work is installed in a 7-metre-wide pentagonal frame comprised of five projection-screens and surround sound audio which visitors enter – up to 10 at once. All round them, a spirit-world of images, texts and sound gets composed in response to [...]]]></description>
			<content:encoded><![CDATA[<p>Part of the Life After Wartime suite, Bystander is a 5-channel interactive software system. The work is installed in a 7-metre-wide pentagonal frame comprised of five projection-screens and surround sound audio which visitors enter – up to 10 at once. All round them, a spirit-world of images, texts and sound gets composed in response to their movement, mass and attentiveness.  The room is a kind of performative story-generator haunted by Sydney’s recent past.  Depending on the behaviour of visitors, a variable and volatile world of audiovisual narrative evolves endlessly but cogently. Bystander exhibits emergent behaviours &#8211; complex narrative, aesthetic and semantic patterns emerge out of simple, elegant rules and interface.</p>
<p><a title="About the project" href="http://katerichards.net/wp-content/uploads/2008/02/bystander.pdf">DOWNLOAD bystander.pdf</a> </p>
<p><a title="Life After Wartime website" href="http://www.lifeafterwartime.com">www.lifeaftwartime.com</a></p>
]]></content:encoded>
			<wfw:commentRss>http://katerichards.net/art/bystander/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>
